CROSSROADS OF THE WORLD
Going to a place conjures up so much more in the minds eye
than reading a book, don’t get me wrong reading is fabulous and fuels the
imagination and drive, hence my erstwhile attempts to arm you with information
in the literary form.
After all wasn’t, I just looking for a book to read at
one point!!
Not having to travel far is a bonus, yet making sure to plan
your attack on the Los Angeles freeways is critical, if you don’t catch the
right wave so to speak in our So Cal vernacular, you can end up feeling like
Gilligan after 5 seasons, wasn’t it just a three hour tour…?
I mean who can blame
Greta Garbo as she utters “Gimme a whiskey, ginger ale on the side and don’t
be stingy baby” from the instantly forgettable 1929 MGM
offering “Anna Christie”.
I traveled the degenerating road north in search of this
land locked gem, and as my destination became closer the butterflies started
to tumble as I saw road signs stating those famous names, I still hear Ray
Davis singing about all the stars he’s seen as he walks down “Hollywood
Boulevard” then “Melrose Place” yes that one THE “ Melrose Place” and then, there it was,
the biggie, El Jeffe, the name synonymous with Hollywood itself “Sunset Boulevard” it’s still a pinch me kind
of feeling, you know, that do I really
live here someone’s gonna tell me to go home we’ve got the wrong guy scenario,
that you wake up in a cold sweat from, that at any point I can wander these
Southern Californian famous, infamous and pop culture laden vignettes … mind
blown.
Yet here I am, Sunset Boulevard, today not the glitzy ideal
you have in your mind, more the, step over the downtrodden, kick the needles
into the gutter and dodge the oncoming burden of the pan handling, but its
still Hollywood Boulevard Baby.
It’s right there, you can still reach out and touch or catch
that wonderful glimpse in Modern day Hollywood of those days of yore, those
halcyon days, not as much as you used to mind you, and as time and tide wait
for no one this gem I am crossing the street towards, needs you to visit also,
trips to fuel the memory banks and reincarnation of life gone before, must be
done soon, as this is slated for re-gentrification, a disappearing act, and will
be lost to the blogs of Boomers imaginations once more.
Russell Crow stepped right across this very spot as he
headed to the “Hush Hush” offices of Danny DeVito’s character in LA
Confidential, are we truly at the Crossroads of the World?
Born in 1879 Charles H Crawford started his life out running
Saloons and dance halls in Seattle. His desire to gain riches brought him to
Southern California where he grew his seedy empire of bars, bordellos and
casino’s, turning him into a small time crime syndicate of his own, flashy
clothes, ritzy cars and flamboyant personality its rumored that he pretty much
ran Los Angeles from behind the Mayor of the town during 1920’s. This is how
Mafia kingpins are grown, not made up in screenplays, but real life, I tell
you, one can’t make this stuff up!
Aren’t these the characters we wish we could meet as we gaze
back on how Hollywood was carved out, illustrious, suspicious, daring…but in
May 1931 at the age of 52 Crawford and his partner Herbert Spencer were shot
and killed in broad daylight at Crawford’s private office at 6655 Sunset
Boulevard.
For those with an eye for curiosity or playing along at home
it plays out like any Sam Sneed novel and as yet still unsolved and sits as an open case file with the LAPD. I love that my mind plays the sound from Law and Order, it adds to the ambiance !
Crawford left behind a wife Ella, probably no innocent
bystander in all her husband’s nefarious goings on herself, decided that she
would build, on the site of her husband’s death, a cosmopolitan outdoor market.
She enlisted the help of renowned designer of the time
Robert.V. Derrah, known notably for his design of the local Coca Cola building
…and here’s that time and tide again,
the building is no longer a manufacturing plant and has changed to become the
headquarters of their Pacific Coast Business. These buildings in LA are great
architectural pieces and though this is not a part of the Hollywood land you
will come to love as you start your explorations, it is saved as a Los Angeles
Historical Cultural Monument and resisted in 1975 as building 138 on its list, known locally as “The Coke
Building” in
the style of “Streamline Moderne” ….. ( another side bar trip for those following
along, to 1200 – 1334 South Central Avenue in downtown Los Angeles)
Getting back to Ella,
she must have had a certain flair herself as she watched Derrah design a
steamboat style structure down the center of a block of Hollywood and then
surround it with buildings from lands afar, I mean this is Hollywood, can you
picture the likes of Cesar Romero and Boris Karloff who were at the grand
opening in 1936 wandering the cobblestone roads, dressed in their “Satin and
Tat” with prime Avocado, Peach, Fig and Pepper trees, lining the walkways,
wishing wells, brick walls and statues, mingled with the nine vignettes of
Architecture from across the globe, a Crossroads of the World if you will...
It’s all still here, I pinch myself, I know the history I’ve done my due
diligence and now I’m walking among this magnificent beast, yet there is a strangely
eerie feeling that spills over me as I amble, I can’t put my finger on it, I
look around and I can see where Robert Redford sat as he offered Demi Moore his
“Indecent Proposal”, now starkly empty except for the cracked faded red vinyl
bench seating. The epiphany, that’s it, its deserted, I’m alone.
Calling it the “Crossroads of the World” The space resides
at 6671 Sunset Boulevard, it started life simply ( if ever there was anything
done simply by Ella I am yet to find it) as a pedestrian shopping center, but
sadly was not a success and closed in 1956.
Now was that in itself a bad thing, I don’t know, but I love
how you can look back on the history of things and find the story in the
history… feel like I may have used the word History one too many times there!!
But that’s where it begins again and through the 1940’s and 1950’s the space
turned into offices and was home to the Screen Actors Guild.
Again destined to disappear as the 60’s drew to a close and
thinking the fancy days of Hollywood had set sail into the sunset, it was a guy by the name of
Morton La Kretz who, in May 1977 saved it from the wrecking ball and he had a
similar vision, to turn it back into its glory days. Scraping away the fashion
senses of decades gone by, he spent the next several years restoring the ennead
of European vignettes to what I am standing in today.
Firstly the Ocean liner center piece in the Streamline
Modern facing straight away to Sunset Boulevard, curved corners, porthole
windows and ships railings. Secondly, the Spanish building to the east of the
ship and also facing Sunset with its red tiles and arched roof, shutters now flapping in disrepair and balconies staring out looking for a glimpse of times gone by. Thirdly, the Mediterranean Californian set up with hand painted
tiles. Fourthly on the west of the ship the Italian influenced building with
Venetian Arches and columns. Fifthly still connected is the French style building
with stained glass windows and fleur-de-lis still visible a top the chimney.
The Sixth set up is a Moorish building in the center of
Crossroads boasting Arabic pointed windows and Arabic lettering still visible. For those with memories of Quark and Strangeness you'll possibly remember the vinyl release of Alice Coopers Album Muscle Of Love...
Seventh is the set of Early American Cape Cod buildings with their high pitched shingled roofs and chimneys. Eighth (phew are you still with me) is the European Village half timbered with dormer windows, staircases and turret towers, topped off nicely in Ninth is the fully working lighthouse facing Selma Ave.
Seventh is the set of Early American Cape Cod buildings with their high pitched shingled roofs and chimneys. Eighth (phew are you still with me) is the European Village half timbered with dormer windows, staircases and turret towers, topped off nicely in Ninth is the fully working lighthouse facing Selma Ave.
Its all still here, I do seam to have forgotten about reading a
book, I’m lost in transition as this world takes me back and forth through
time, and if that wasn’t enough here’s the “Hidden Hollywood” gem that few
know. If you look carefully, just like looking for the Hidden Mickeys at
Disneyland, every door in Crossroads is different, by design, shape, style and
any other adjective you can throw their way, check out the Spider Web…

Inevitably this weird place became the place to shoot your
Movie, (LA Confidential, Indecent Proposal, Ford Fairlane, even Elizabeth
Taylor shot Malice In Wonderland here in 1984) or a Commercial (McDonalds in 1979 through to Mercedes Benz in
1991) or Album covers as noted, or even perform live on the
roof like Big Audio Dynamite did in 1991.
Trudge the alley ways and you will see the ghosts of TV series long gone by, i'm pretty sure Remington Steel was here, or was that Monk touching every uniform fence pole….
Trudge the alley ways and you will see the ghosts of TV series long gone by, i'm pretty sure Remington Steel was here, or was that Monk touching every uniform fence pole….
The past is preserved in our minds eye, it’s a wonderful
thing, no one to bother me as I drift back to consciousness, and perhaps
symbolically as this adventure fades the globe 60 ft. above Sunset Boulevard rotates
and begins to flicker….
#bennysantiniproductions #grahamsataconcertagain
Photos and words Benny Santini Productions
Photos and words Benny Santini Productions
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